Best Free Fonts for Designers in 2022
From print to digital design, typography is essential. Typography on the web has seen a radical shift in the last few years, thanks to new advancements like Variable fonts, FlexBox, CSS Grids, CSS Shapes, and many more. We may use font pairings to generate visual hierarchy and contrast, which makes the design more appealing to the audience, in order to give individuality to our designs. Visual hierarchy may be achieved in a variety of ways, including through contrasting colours, font sizes, and other design elements. We’ve compiled a list of the Best Free Fonts for Designers in 2022.
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Colus is a free display typeface that was inspired by carved letter inscriptions in stone and wood, which may be downloaded here. A classic, almost noble aspect lends itself to the creation of powerful headlines, the addition of an air of refinement to logos, and the introduction of elegance into poster designs.
This sans-serif typeface created by the Indieground Team is ideal for use in titles, logos, editorial design, packaging, and web design, among other things. It is appropriate for any graphic design or typography-related endeavour. Because of the gently rounded edges of the letters, your text and quotations will have a more graceful line. With its simple mood, this typeface will provide a wonderful sense of style and weight to any artistic creation you put together.
In terms of free typefaces, Christian Thalmann’s Cormorant is one of the most refined. The typeface was influence by the 16th-century designs of French type designer Claude Garamont, although it isn’t an exact replica of his work. All the glyphs were created from scratch, and the result is a pleasing mix of formality and emotion in each one. There are 45 font files in this free and open source display font set, with nine different visual styles and five different weights.
There aren’t many free fonts specifically design for a certain purpose, but this is one of the best. Argentinian designer Juan Pablo del Peral created the award-winning font Alegreya specifically for book design. For extended texts, it presents an accessible and lively perspective on calligraphy with a dynamic and diverse rhythm.
Emberly is a free typeface that is both contemporary and traditional at the same time. Created by Rajesh Rajput, it is based on the Didone style. Variable versions of the typeface are available, making it an excellent choice for a broad variety of creative tasks. It is one of the Best Free Fonts for Designers in 2022.
In a nod to both Roman and blackletter fonts, Grenze delivers a powerful visual impact without losing intelligibility. There is a broad range of applications for this typeface, which was design by Renata Polastri and Omnibus-Type.
Saint George Stencil Font
Stencil Typeface is an experimental font by Vedran Vaskovic based on the Christian tale of Saint George and the Georgia font. With its wild and whimsical stencil forms, it is one of the most exciting free fonts out there. It is one of the Best Free Fonts for Designers in 2022.
Aleo’s semi-rounded features and streamlined form give it a distinct personality while yet allowing for easy reading. Designed by IBM Dublin designer Alessio Laiso, these free fonts are the slab serif counterpart of Lato. It is one of the Best Free Fonts for Designers in 2022.
It’s a web typeface designed for body text. Libre Baskerville (typically 16px). Although it’s based on the 1941 American Type Founder’s Baskerville, this version has a higher x-height, broader counters, and a lower contrast ratio, making it more suited for screen reading. Impallari Type is leading this open source project. Taylor Palmer also suggests Libre Franklin, a free alternative to Libre Franklin.
This free display typeface was created by Claus Eggers Srensen, who drew inspiration from the Enlightenment and the work of John Baskerville. As sharp steel pens overtook wide nib quills during the time, the high-contrast letterforms had exquisite hairlines. Georgia can be used to accompany it in the body text both functionally and artistically.
Butler, a popular free typeface developed by Fabian De Smet, is based on both Dala Floda and the Bodoni family. His goal was to inject some modernism into traditional serif fonts by tweaking the curves and introducing a new stencil family. As far as “posters, extremely huge names, books and expensive stuff,” he recommends Butler.
Even though sans-serif fonts are often preferred for screen use, this free slab serif typeface has been created with the goal of providing a comfortable reading experience on computers and mobile devices. Bitter was created by Sol Matas and is available for purchase. Argentinian type collaboration Huerta Tipográfica has made it accessible for purchase.
Merriweather is a tremendously popular open-source serif typeface that has its own project on the GitHub platform. Sorkin Type created it with the goal of making it simple to read on screens. Among its many characteristics are its extremely high x-height, somewhat condensed letterforms, a minor diagonal stress, robust serifs, and open forms.
Ilya Zakharov’s Obrazec is a bold, industrial-style sans serif that is unafraid to express itself. This strong and confident typeface is one of the greatest free fonts for infusing power and personality into your branding projects, whether you’re working on logo design, promotional materials, or advertising. It can be used for a variety of purposes.
For those who aren’t into Linux and open source, this name isn’t going to signify anything to you; however, don’t be concerned about that, because all that we’re interested in here is the typeface, which was created by Jeremy Mickel. There are two optical sizes available, as well as a variety of weights. It is influenced by American sans serifs.
In a way, Loki is a hybrid typeface; it’s a hand-written brush script with a sans serif foundation, and it has some pleasantly curved strokes in it. This typeface was designed by Krisjanis Mezulis and Ieva Mezule to make a bold statement, and it performs particularly well in huge headlines and bold text.
It’s hard to find a better free font than Titillium, which was inspired by a type design project at Italy’s Accademia di Belle Arti di Urbino. Titillium is a true classic. Approximately a dozen students work on the project throughout each academic year, refining and improving it as they go. According to Rob Hampson, the head of design at the The Bot Platform, a platform for developing bots on Messenger: “Titillium is a favourite typeface of mine.” “It’s current, crisp, and available in a variety of weights. I think it works best in larger proportions, such as the title of a page. However, it might be utilised as a body font with careful thought.”
Atami is a bold and experimental typeface that is available in two distinct weights and three different stylistic variations. We believe it would be a particularly fantastic choice for designing posters and logotypes because it was created by Andrew Herndon.
Aileron is a neo-grotesque sans-serif that falls between between Helvetica and Univers in terms of versatility. It was developed by Sora Sagano, a designer at Tipotype, with the goal of providing readers with a high level of aesthetic comfort. It is available in 16 different weights, ranging from lightest to heavyweight.
Our favourite free handwriting font is Cervanttis Signature Script because of its fluid elegance and flow, making it an excellent choice for handwritten signatures. One of the greatest free fonts for portraying the appearance and feel of handwriting was created by Mats-Peter Forss. Logos, branding, advertising, and social media postings would all benefit from this.
These Best Free Fonts for Designers in 2022 come with two font versions that include all ligatures, numerals and old-style variants, so you don’t have to retype anything. The possibilities are endless when you utilise these free typefaces for everything from logo design to print materials to signage and fashion.